Tabular figures
Every figure takes the same advance width. Columns of freight stop wobbling; totals line up like they were welded.
Type with tonnage. A grotesk that gains weight when you get close to it.
Tonne is a display grotesk engineered like a load-bearing wall. Every curve was drawn at 900 first, then relieved of weight one hundred grams at a time until only the hairline skeleton remained. That order matters: most faces get bolder by inflation. Tonne gets lighter by subtraction, so even at 100 it stands like something heavy used to be there.
Two axes, no gimmicks. Weight runs 100 to 900 across a true design space, not an interpolation guess. Width runs 50 to 150, from a condensed that fits four extra characters per column to an extended that fills a billboard with three words. Eighteen named styles ship as anchors; the space between them is yours.
MASS is an independent foundry that publishes few faces, slowly. We believe a typeface is industrial equipment: it should survive being dropped, scaled, squeezed and inverted without complaint. Tonne spent thirty-one months in the shop. It is our first release and the reason the foundry exists.
“Set it at nine hundred and it stops being a headline. It becomes architecture.”
— TYPE PAPERS QUARTERLY, ISSUE 44, ON THE RELEASE OF TONNE
ONE FONT FILE. EVERY POSITION SHOWN HERE IS A REAL, SHIPPABLE INSTANCE.
HOVER A ROW — EACH MASTER ALSO TRAVELS THE FULL WIDTH AXIS, 50 TO 150.
font-variation-settings: "wght" 760, "wdth" 100;
COPIED ✓
Every figure takes the same advance width. Columns of freight stop wobbling; totals line up like they were welded.
Type a plain slash and Tonne builds the fraction — numerator, solidus, denominator — as one engineered unit.
Not a slanted roman. A second 908-glyph drawing with its own stance, carrying both axes at every angle of use.
SHOWING 80 OF 908 GLYPHS · FULL MAP SHIPS WITH EVERY LICENSE AS A 64-PAGE PDF SPECIMEN
STUDENTS AND UNFUNDED STUDIOS SET IT FREE — WRITE TO US ON LETTERHEAD YOU TYPESET YOURSELF.